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Author: Sarah Jilani

REVIEW: FUKUSHIMA, MON AMOUR (2016)

  • by Sarah Jilani
    FilmDoo
  • Posted on March 17, 2016February 23, 2017
  • CENTRAL/ SLAVIC EUROPE
Fukushima Mon Amour 3

By Sarah Jilani Directed by Doris Dörrie Berlinale review It’s been five years since the inhabitants of the Japanese town of Fukushima and its surrounds suffered a triple catastrophe. Europe looked on, shocked and unnerved in […]

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#OscarsSoWhite: Why the Diversity of World Cinema is Leaving Hollywood in the Dust

  • by Sarah Jilani
    FilmDoo
  • Posted on February 29, 2016March 1, 2016
  • Features
Oscars

By Sarah Jilani The Academy has pledged to tackle a lack of diversity in its nominations and members – but has it missed the boat that independent world cinema never did? A quick look at […]

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FILM REVIEW: LIAR’S DICE (2013, INDIA)

  • by Sarah Jilani
    FilmDoo
  • Posted on December 2, 2014December 14, 2015
  • ASIA
Liar's Dice

Dir: Geetu Mohandas Having premiered at Sundance Film festival this January, actress-writer-director Geetu Mohandas’ first film Liar’s Dice is – like the lead character – intelligent, quiet, and moving. Starting off in the mountainous Indian region […]

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10 BEST FEMALE INTERNATIONAL FILM DIRECTORS

  • by Sarah Jilani
    FilmDoo
  • Posted on August 8, 2014July 17, 2017
  • Features
Gleaners and I

By Sarah Jilani FilmDoo assembles a list of best international female filmmakers to prove a woman can make a successful director in the world – no matter the odds. Check out the profiles of these […]

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FILM REVIEW: WINTER SLEEP (2014, TURKEY/ FRANCE/ GERMANY)

  • by Sarah Jilani
    FilmDoo
  • Posted on July 31, 2014March 28, 2016
  • ASIA
Winter Sleep

By Sarah Jilani Directed by Nuri Bilge Ceylan The Palme d’Or winner at Cannes this year comes from the heavyweight Turkish auteur Nuri Bilge Ceylan, who just missed out on the accolade a number of […]

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TOP 10 FILM ADAPTATIONS OF WORLD LITERATURE

  • by Sarah Jilani
    FilmDoo
  • Posted on June 14, 2014July 17, 2017
  • Features
Tsotsi

By Sarah Jilani It has always been a firm favourite of the filmmaker to bring pre-existing material like novels, plays and short stories to life on the big screen. Literature undoubtedly feeds into cinema, but […]

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