If you like surrealist cinema, pitch black humour and bizarre imagery (think Lynch here), then this could well turn out to be one of your favourite films. A sort of Gilliam vision of 1984, the film depicts a futuristic society in which bureaucracy subjugates free will and peoples' lives become computer printouts. Love, as in 1984, is the enemy of the state, and Sam is the civil servant who commits the heinous crime of falling in love with a suspected terrorist. I won't spoil the ending, but it is both uplifting and devastating.